To me, there are two types of “bad” comic: something that is just badly crafted in terms of story/art or something that’s disappointing. To me, the latter is worse. You can usually see a bad comic coming a mile away, but a comic that has everything needed to be good and fails anyway, that will always hurt more. 2017 has been a solid year for comics, but there have been some disappointment. Some of these were set up in 2016, while others were a bit newer to the poop party. Regardless, they let me down in a big way, and I need to make a list, dammit! So in ascending order, here are my top comic letdowns of 2017.
Also, the reason this list is super late is because I wasn’t going to do it. It just got too far into 2018… then I saw ProJared (and others) make 2017 lists still and decided to just make this super succinct. So I’m doing this quick and dirty, because I just need to get these off my chest. Continue reading “Biggest Comic Letdowns of 2017”
In 2016, DC’s Rebirth relaunch promised a return to the spirit of the pre-Flashpoint DC Universe while keeping the New 52 universe. Rebirth has proven to be an unmitigated success, both critically and financially, and has clearly reinvigorated the company. But while it promised to keep the New 52 canon, this didn’t turn out to be the case, with series like Wonder Woman and Superman almost entirely doing away with New 52 canon. Although the New 52 branding itself was removed with the DC YOU initiative, DC Rebirth can be considered a much truer shunting of the ideas and themes of the New 52 era. Gone is the unnecessary darkening of characters, government paranoia and notion of continuity and history being obstacles and not tools so prevalent at DC for so long.
While there were some good elements here and there, the overall New 52 reboot fell flat on its face. And with DC Rebirth now a year old, incorporating many elements of Pre-Flashpoint elements that fans have been missing, I think it’s a good time to look back on the New 52. As it’s said, “I come here to bury Caesar, not honour him.” This will be a broad look at the problems with the New 52, and why it never quite worked for (the majority) of readers. So join me as I take a look back on the New 52, one year after its official death. Continue reading “The Death of the New 52, One Year Later — A Look Back”
I don’t think it’s out of line to say that Geoff Johns is one of DC’s biggest name creators. He, along with David S. Goyer, brought the Justice Society of America to a new generation of readers. He had a run on The Flash that many consider second only to the beloved Mark Waid run. He reinvigorated and redefined the Green Lantern franchise. He updated Aquaman for modern audiences (though Peter David sort-of did that before him). But he also has blatant preference for the Silver Age. Infinite Crisis was, although an enjoyable story, a way for him to restore quite a few Silver Age things to canon. He made Legion of Super-Heroes lore confusing with the “Retroboot” Legion (basically the original Legion but with a time-skip). He sort-of ruined the Flash franchise with The Flash: Rebirth (it’s only slightly recovered with the return of Wally West). Then killed off beloved new characters with Blackest Night, an event that seemed to exist partly to kill off modern characters. Then he screwed up the entire DC Universe with Flashpoint… though that was editorially mandated, and he then proceeded to sort-of fix with DC Universe: Rebirth #1. So Johns has a shaky history, despite being DC’s “big gun”.
But he vanished for a while. After finishing his Justice League run (about half of which I haven’t read), Johns moved on. He was focusing more on TV shows and movies. It seemed like he came back just to fix what he was forced to break, and that would be the last we’d hear from him… or not.
Yes, Geoff Johns is returning to comics, and while I’m cautiously optimistic about this, given the mixed results of his writing, I can’t say I’m not at least somewhat looking forward to Johns’ return. For all his faults (Silver Age boner, excessive violence, unsubtle leaning on the fourth wall), Johns loves superhero comics, big scope stories and using continuity in (mostly) respectful ways. He’s the kind of writer the DC Rebirth initiative is perfect for. And while I’m sure his comics work will in some way involve the Watchmen plotline from the Rebirth line, I have little doubt he will also be taking on another project. And here are what I hope or predict they will be. Continue reading “My Future Comic Projects for Geoff Johns (Rantings)”
Writer: Joshua Williamson
Artist: Carmine Di Giandomenico
Colourist: Ivan Plascenia
Joshua Williamson is a writer who really deserves more work. While I dropped off it, Birthright is very engaging and epic, while still being emotionally grounded and relatable. The short-lived Illuminati series managed to make all of its characters relatable, even if they were all bad guys. And now Williamson has the thankless task of writing a Barry Allen Flash ongoing after the return of Wally West, as well as needing to follow-up on Geoff Johns’ DC Universe: Rebirth #1, since Barry is a key player in the story. And this is Barry Allen we’re talking about, a character who still has no consistent personality traits. So with all this stacked against him, how does Williamson do? Pretty well! Continue reading “The Flash (2016) #1 Review”