The Best Comic Book Runs of the 2010s

As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.

For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.

Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!

(That I read).

Continue reading “The Best Comic Book Runs of the 2010s”

The Best Comic Book Story Arcs of the 2010s

As I’ve made clear in previous posts, the 2010s were a good time for comics. I’ve looked at the best comic runs, but now I’m taking it a step down and going into the best comic arcs. These aren’t entire series — unless it’s a miniseries or an ongoing that was cut short — or runs, but arcs. Naming these is a bit weird because some writers don’t really name their arcs, but luckily trades exist, and you can usually tell when something is an arc.

To qualify, the first issue of the arc needs to have been released in the 2010s. That limits my options enough while setting strict rules. Hopefully this makes it fair. Also, this is more of a superhero comic thing, so be warned if that bugs you.

Anyway, get your six (most likely) bag and boards ready, because we’re going to be looking at the best comic book story arcs of the 2010s!

Continue reading “The Best Comic Book Story Arcs of the 2010s”

The Best Comic Book Moments of the 2010s

So far, I’ve looked at the biggest shake-ups in comics status quos in the 2010s. Of course, I think those were important. They’re paradigm shifts that allow for different stories. But sometimes, you need to go smaller, and that’s what this is. This time, I’m going to be highlighting specific moments in comics that I feel were the best in the 2010s.

These can range from a single scene to a single panel, but they’re what I consider the best the 2010s have to offer. They might stand on their own or be the payoff for years of storytelling, but these are the ones that had the biggest impact on me as a reader. As a rule: it can’t be an entire issue. I’m also trying to avoid placing similar scenes on this list. So yes, it’s a loose criterion, but it’s mine. Anyway, let’s see what we have for arbitrarily ranked my personal best comic book moments of the 2010s… Continue reading “The Best Comic Book Moments of the 2010s”

The Best Comic Book Shake-Ups of the 2010s

Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.

I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”

Absolute Carnage: Symbiote of Vengeance #1 Review — Decent Vengeance, Bad Symbiote

Written by Ed Brisson
Pencils by Juan Frigeri
Colours by Dono Sánchez-Almara
Letters by VC’s Joe Caramagna
Published by Marvel Comics
Cover price: $4.99 USD

So far, the one-shot tie-ins for Absolute Carnage have been a strange mix. While Separation Anxiety and Symbiote Spider-Man took advantage of the crossover for their stories, they didn’t really matter to the story overall (aside from a nod in Venom in the case of the former). Symbiote of Vengeance has that same quality, but the story it tells is also not as interesting, strangely misaligned with Absolute Carnage and its ties to the aforementioned event are easily the least interesting parts of it.

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Venom #18 Review — A Fun and Intriguing Treat

Written by Donny Cates
Pencils by Iban Coello
Colours by Rain Beredo
Letters by VC’s Clayton Cowles
Published by Marvel Comics
Cover price: $3.99 USD

The Venom series has found a way to stand out during the Absolute Carnage event. While some series would have it feature the lead character, whereas the core miniseries would not, with Eddie Brock heavily featured in Absolute Carnage, Donny Cates has taken the opportunity to focus on Eddie’s supporting cast. While Absolute Carnage is dripping with 90s nostalgia and a gritty atmosphere, Venom has found a unique role, being a fun adventure, albeit one steeped in the sinister machinations of twisted characters and an undertone of horror.

Continue reading “Venom #18 Review — A Fun and Intriguing Treat”

Absolute Carnage: Scream #2 Review — Scattered But Fun

Written by Cullen Bunn
Pencils by Gerardo Sandoval and Alex Arizmendi
Inks by Gerardo Sandoval, Alex Arizmendi and Victor Nava
Colours by Erick Arciniega
Letters by VC’s Cory Petit
Published by Marvel Comics

Cover price: $3.99 USD

With the second month of Absolute Carnage tie-ins having begun, Scream has the distinction of being the first Absolute Carnage tie-in miniseries to get a second issue. The Scream tie-in has the benefit of featuring two somewhat popular characters who are actually tied to the Venom mythos and the first issue was pretty good for what it was. However, despite still being fun, this issue is less interesting, with a relatively generic plot and less interesting dialogue and narration. Continue reading “Absolute Carnage: Scream #2 Review — Scattered But Fun”