Yeah, I’m not done with this story. Guys… I have things to do. I need to take a government exam to be able to even enrol in some teaching units for my master’s. I haven’t finished Red Dead Redemption 2 yet. I need to finish Bodyguard and The Protector because I told a friend I would. I’m trying to finish The Name of the Wind, Ancillary Justice and The Night Circus. There’s things I can be doing, is what I’m saying. And yet, I keep coming back to this. Because it keeps calling me back.
“X-Men Disassembled” was meant to be the big X-Men relaunch of 2018. Kicking off a new series of the flagship title, Uncanny X-Men, when finally the X-Men team books would be consolidated into one title… and what we got was a weekly series that couldn’t even justify its own existence without spoiling its own ending — on the day of the first issue’s release, Marvel announced the Age of X-Man event; that name told everyone all they needed to know about it — an alternate world where the story would be told through numerous miniseries, with X-Man (Nate Grey) playing a key part. Well… okay then, so what’s the point of reading this story? There didn’t seem to be one.
The three writers — Ed Brisson, Kelly Thompson and Matthew Rosenberg — clearly knew where they were headed with this story, but the way they got there was one of the most badly executed stories I’ve ever seen. See, we knew where it was headed. Clearly. So they needed to give us other reasons to read, while also setting up the status quo for after “X-Men Disassembled” ends — the return of Cyclops and Wolverine. Well, let’s have a look at this series and see what they came up with, shall we? Let’s see what the different plot threads amounted to and how this story went out. Continue reading “Picking at the Pieces of “X-Men Disassembled””
This is a new recommendation thing I’m going to do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It will be sporadically updated (like everything here) and mostly feature franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. For the first entry, I’m going to tackle the mother of all beasts, the X-Men.
The X-Men are the poster child for convoluted comic book continuity. There is a character who is the son of someone younger than him, who was sent to the future to save him him from a disease, and then came back to the present and has a history of time-travelling and dying… and this character has almost always had at least one series where he is a main character since he was created. But this type of superhero drama is also what’s great about the X-Men; they can so easily blend drama of all types with superhero and sci-fi plots. Not only that, but as a minority stand-in, it’s incredibly easy to relate to mutant characters.
However, none of that changes that the X-Men franchise has a reputation for being impenetrable. Yet, they were my gateway drug into comics (along with Batman) and I have a good knowledge of their various series. It’s only appropriate that I start with the X-Men, so here we go, my recommendations for how to get into the franchise of the Merry Mutants! Continue reading “Gateway Comics — X-Men”
I wasn’t going to do this. I like to celebrate the good in comics, not lampoon the bad. Comic readers already have an image of being overly negative and I don’t want to be that guy. But… some of the comics this year truly did it for me. They managed to take my goodwill and optimism and grind it into the dirt. Yes, some of these series may recover, or may even have already. But that doesn’t take away from how terrible these particular comics are. With that in mind, here are the worst comics of 2018. Continue reading “Worst Comics of 2018”