Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.
I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”
The 1st of September is Father’s Day in Australia. While I find it weird that we placed it so far away from the rest of the world’s usual date, it is what it is. So, in honour of Father’s Day, I want to take a look at fatherhood in superhero comics.
The idea of characters being “aged” by younger characters around them is a concern of the comics industry. Indeed, a lot has been done to ensure that characters like Spider-Man and Batman remain at a vague age where they can be considered at least somewhat young. Many in the industry have spoken out against allowing characters to grow and age, in fear that this would also age their paternal figures — the most recent example I can recall would be X-Men editor Jordan D. White mentioning that the younger X-Men cannot be allowed to age, as this would make the core group of Cyclops, Wolverine, Rogue and the like older. I think this fundamentally misunderstands superhero comics and their appeal, the stories they can tell and some of the best works in the superhero genre, and how children are vehicles for further development of characters. While comics like Saga and Birthright have excellent portrayals of parenthood, superhero comics lend a greater weight to everyday struggles, to everyday emotions and relationships.
For the purposes of this post, I’ll be looking at specific characters and specific runs on those characters (to a degree). This is just meant to look at the different kinds of fatherhood presented in superhero comics, while focusing on specific works where possible. Anyway, let’s have a look at our superdads. Continue reading “Superdads — Fatherhood in Superhero Comics”
Gateway Comics is a recommendation thing I do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It features franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. The key point is that these are recommendations for new readers.
There is no superhero more iconic than Superman. The flagship character of not only DC Comics, but of an entire genre, Superman is a storied character that is almost as old as the superhero genre itself. But with so many stories behind him, that can make him a bit intimidating to read. Especially with the various reboots the character has undergone. But I think Superman, when written well, can be one of the most rewarding characters to read. I personally have mostly stuck to more modern works for Superman, but I think these works to a good job balancing what I like about the franchise. I’m not too big a fan of the franchise, but these comics got me interested in it; I can safely say that they’re good for new readers.
Anyway, the people of Krypton has been written badly very often, but here are some stories that I think will do a good job of introducing new readers to the world of Superman. Continue reading “Gateway Comics — Superman”
Ongoings for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).
DC’s output has finally levelled out a bit, with the Rebirth titles being frequent enough that I can now determine quality more accurately, so quite a few things have dropped off this list. At the same time, both the Young Animal imprint and the rebooted Wildstorm universe have been establishing themselves, and have been mostly excellent, so they easily fill in for the series that I wouldn’t recommend. Join me after the break for my comic recommendations for new readers based on Q1 of 2017.
Written by Peter J. Tomasi
Art by Jorge Jimenez
Colours by Alejandro Sanchez
Published by DC Comics
Cover price: $2.99 USD
Peter J. Tomasi is a writer who has always excelled at sentiment. From the restless Kyle Rayner and Guy Gardner in Green Lantern Corps to the father-son dynamic in Batman and Robin, to the more recent, and different, father-son dynamic in Superman, it’s clear Tomasi has an affinity for pulling at the heart strings in the superhero genre. Super Sons is Tomasi taking a stab at writing boyhood adventures, and, to nobody’s surprise, he knocks it out of the park. Super Sons #1 is a really fun comic about two boys and their budding friendship doing what boys their age do, only with more capes and fighting and less parental supervision. Continue reading “Super Sons #1 Review”