The Death of the New 52, One Year Later — A Look Back

In 2016, DC’s Rebirth relaunch promised a return to the spirit of the pre-Flashpoint DC Universe while keeping the New 52 universe. Rebirth has proven to be an unmitigated success, both critically and financially, and has clearly reinvigorated the company. But while it promised to keep the New 52 canon, this didn’t turn out to be the case, with series like Wonder Woman and Superman almost entirely doing away with New 52 canon. Although the New 52 branding itself was removed with the DC YOU initiative, DC Rebirth can be considered a much truer shunting of the ideas and themes of the New 52 era. Gone is the unnecessary darkening of characters, government paranoia and notion of continuity and history being obstacles and not tools so prevalent at DC for so long.

While there were some good elements here and there, the overall New 52 reboot fell flat on its face. And with DC Rebirth now a year old, incorporating many elements of Pre-Flashpoint elements that fans have been missing, I think it’s a good time to look back on the New 52. As it’s said, “I come here to bury Caesar, not honour him.” This will be a broad look at the problems with the New 52, and why it never quite worked for (the majority) of readers. So join me as I take a look back on the New 52, one year after its official death. Continue reading “The Death of the New 52, One Year Later — A Look Back”

Marvel’s New Free Digital Comics System Is Crap (Rantings)

Marvel comics have long since been more expensive than DC’s, even before DC dropped most of their comics down to $2.99 (USD) per issue with their Rebirth relaunch. But Marvel’s issues also came with a free digital copy of the issue for their online service, which is also linked to Comixology, so buyers could sort of justify the higher price point. Well, no longer!

In a controversial move, Marvel announced that physical comics (excluding their all-ages stuff) will now come with two other digital comics, intended to “offer fans free entry points for current on sale collected edition”, rather than a free digital copy of the comic purchased. To me, this is just not good for most readers.

For one, the digital comic you’re given is just out of your hands. It’s up to Marvel to decide what you get, and it may even be something you already own. Hell, the first comic lined up is Civil War II #0, a comic I’m pretty sure 90% of Marvel readers have, since that was before everyone realised how crappy that event was. I’ve read that some people even sell the digital code they get with their physical copies, because it can offset the higher price point by a bit, but that options mostly gone now, since I can see lots of over saturation of the same issue.

There’s also the problem of whatever comic you’re being given is supposed to advertise whatever Marvel wants to advertise (the digital comic doesn’t seem to vary between comics within a given week). So whereas giving readers of X-Men: Prime a digital issue of Inhumans vs. X-Men would make sense, instead they’re given the first issue of whatever trade Marvel wants to push (who wants to bet there will be a decent amount of MCU-focused comics?).

There’s also this simple thing: Marvel already pushed free samples before. It was a while ago, I’ll give you, but not that long ago. Remember Amazing Spider-Man #1 from 2014? That comic was incredibly thick, not only because it was the launch pad for the entire Spider-Man line, but also because it had the entirety of Inhuman #1 included as a free sampler. But you still got the free digital issue of Amazing Spider-Man (2014) #1.

And finally, there’s the fact that whatever free digital comic you get is replacing the other comic you would’ve gotten. I know people who like to buy physical comics and support local comic shops, but find it simply impractical to read physical comics for a variety of reasons, but the free digital copy allowed them to still support their LCSs. And that Marvel is saying this new system is good for retailers is hilarious, because I know people who work at comic shops, and they’ve had nothing good to say about this. In fact, if anything this feels like an aggressive move against comics retailers.

This is just not a good move in my eyes, and the only people who benefit are new readers (and even then not that much, since the free issue is from a recent trade) and Marvel themselves. It pushes for more digital sales from people who were willing to buy physical, while taking those sales from retailers. I can’t say I support this move at all.

My Future Comic Projects for Geoff Johns (Rantings)

I don’t think it’s out of line to say that Geoff Johns is one of DC’s biggest name creators. He, along with David S. Goyer, brought the Justice Society of America to a new generation of readers. He had a run on The Flash that many consider second only to the beloeved Mark Waid run. He reinvigorated and redefined the Green Lantern franchise. He updated Aquaman for modern audiences (though Peter David sort-of did that before him). But he also has blatant preference for the Silver Age. Infinite Crisis was, although an enjoyable story, a way for him to restore quite a few Silver Age things to canon. He made Legion of Super-Heroes lore confusing with the “Retroboot” Legion (basically the original Legion but with a timeskip). He sort-of ruined the Flash franchise with The Flash: Rebirth (it’s only slightly recovered with the return of Wally West). Then killed off beloved new characters with Blackest Night, an event that seemed to exist partly to kill off modern characters. Then he screwed up the entire DC Universe with Flashpoint… though that was editorially mandated, and he then proceeded to sort-of fix with DC Universe: Rebirth #1. So Johns has a shaky history, despite being DC’s “big gun”.

But he vanished for a while. After finishing his Justice League run (about half of which I haven’t read), Johns moved on. He was focusing more on TV shows and movies. It seemed like he came back just to fix what he was forced to break, and that would be the last we’d here from him… or not.

Yes, Geoff Johns is returning to comics. And while I’m cautiously optimistic about this, given the mixed results of his writing, I can’t say I’m not at least somewhat looking forward to Johns’ return. For all his faults (Silver Age boner, excessive violence, unsubtle leaning on the fourth wall), Johns loves superhero comics, big scope stories and using continuity in (mostly) respectful ways. He’s the kind of writer the DC Rebirth initiative is perfect for. And while I’m sure his comics work will in some way involve the Watchmen plotline from the Rebirth line, I have little doubt he will also be taking on another project. And here are what I hope or predict they will be. Continue reading “My Future Comic Projects for Geoff Johns (Rantings)”