The Best Comic Book Runs of the 2010s

As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.

For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.

Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!

(That I read).

Continue reading “The Best Comic Book Runs of the 2010s”

The Best Comic Book Story Arcs of the 2010s

As I’ve made clear in previous posts, the 2010s were a good time for comics. I’ve looked at the best comic runs, but now I’m taking it a step down and going into the best comic arcs. These aren’t entire series — unless it’s a miniseries or an ongoing that was cut short — or runs, but arcs. Naming these is a bit weird because some writers don’t really name their arcs, but luckily trades exist, and you can usually tell when something is an arc.

To qualify, the first issue of the arc needs to have been released in the 2010s. That limits my options enough while setting strict rules. Hopefully this makes it fair. Also, this is more of a superhero comic thing, so be warned if that bugs you.

Anyway, get your six (most likely) bag and boards ready, because we’re going to be looking at the best comic book story arcs of the 2010s!

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The Best Comic Book Shake-Ups of the 2010s

Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.

I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”

Gateway Comics — Batman

Gateway Comics is a recommendation thing I do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It features franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. The key point is that these are recommendations for new readers.

With Detective Comics #1000 only a few weeks away, I decided work on this ahead of Superman (sorry, Big Blue) for the people who will inevitably buy Detective Comics #1000 but not actually be Batman readers, but who do want to read comics. Along with the X-Men, who I covered here, the Batman franchise helped get me into comics. Unlike many, who came into comics from The Dark Knight, I got into the franchise through a combination of Batman: Arkham Asylum (the video game) and Batman: Under the Red Hood (which came bundled with Arkham Asylum) before watching The Dark Knight. I started with a few titles here and there, got big into Scott Snyder’s Batman run, then jumped around a lot. I have a lot of experience with the franchise, so this is something that I’m comfortable talking about.

Anyway, without further delay, here are the comics I recommend to those who want an introduction to the world of the Bat.

Continue reading “Gateway Comics — Batman”

Gateway Comics — Superman

Gateway Comics is a recommendation thing I do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It features franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. The key point is that these are recommendations for new readers.

There is no superhero more iconic than Superman. The flagship character of not only DC Comics, but of an entire genre, Superman is a storied character that is almost as old as the superhero genre itself. But with so many stories behind him, that can make him a bit intimidating to read. Especially with the various reboots the character has undergone. But I think Superman, when written well, can be one of the most rewarding characters to read. I personally have mostly stuck to more modern works for Superman, but I think these works to a good job balancing what I like about the franchise. I’m not too big a fan of the franchise, but these comics got me interested in it; I can safely say that they’re good for new readers.

Anyway, the people of Krypton has been written badly very often, but here are some stories that I think will do a good job of introducing new readers to the world of Superman. Continue reading “Gateway Comics — Superman”

Ongoings for the New Comic Reader – DC Comics (2017, Q1)

Ongoings for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).

DC’s output has finally levelled out a bit, with the Rebirth titles being frequent enough that I can now determine quality more accurately, so quite a few things have dropped off this list. At the same time, both the Young Animal imprint and the rebooted Wildstorm universe have been establishing themselves, and have been mostly excellent, so they easily fill in for the series that I wouldn’t recommend. Join me after the break for my comic recommendations for new readers based on Q1 of 2017.

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Super Sons #1 Review

Written by Peter J. Tomasi
Art by Jorge Jimenez
Colours by Alejandro Sanchez
Published by DC Comics
Cover price: $2.99 USD

Peter J. Tomasi is a writer who has always excelled at sentiment. From the restless Kyle Rayner and Guy Gardner in Green Lantern Corps to the father-son dynamic in Batman and Robin, to the more recent, and different, father-son dynamic in Superman, it’s clear Tomasi has an affinity for pulling at the heart strings in the superhero genre. Super Sons is Tomasi taking a stab at writing boyhood adventures, and, to nobody’s surprise, he knocks it out of the park. Super Sons #1 is a really fun comic about two boys and their budding friendship doing what boys their age do, only with more capes and fighting and less parental supervision. Continue reading “Super Sons #1 Review”

Top 10 Comics of 2016

Everyone loves reading top 5/10 lists, right? Well, it’s a guilty pleasure, but it’s also nice to get others’ opinions and have your own validated. And since I already do annual video game lists, I figured it’d only be right to do one for comics as well. Also, this may be because I feel bad about not praising Grayson #12 enough last year, even though it was an absolutely amazing issue and I’ve praised it to anyone who would listen. But yeah, that’s what this is going to be: ranking the top 10 series of the year, with particular focus on a specific issue if it’s a standout (the covers don’t mean that particular issue was good; I just like certain covers or don’t want to reuse covers I’ve used before). My general rule is that the series has to have released at least one issue this year. Anyway, these are my top 10 arbitrarily ranked comic books of 2016.

Oh, and just assume all these series have amazing art unless I say otherwise.

Warning: Mild Spoilers.

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Ongoings for the New Comic Reader – DC Comics (2016, Q3)

So I’ve been planning to do a kind of “new reader” piece for a while now. In fact, I have been working on something for a while now focused on the history of a specific character and their significant stories and whatnot. But it’s taking tons of research and I can’t see it being that regular a thing. I’ll try my hardest, but it’s definitely not something I can do often.

But I really want to write a kind of guide to help people get into comics every now and then. As in ongoing series, not just older stories. And it’s also something that can be done regularly, what with the frequent relaunches Marvel and DC seem to love. And what better time than now, with DC’s Rebirth having had enough time to cook that a series’ quality can be determined (as long as they retain the same writers, and to a lesser degree artists, that is)? Of course, this will mostly be from what I read, but will also include series that I’ve heard are good from fans and friends. To make it perfectly clear, I’ll make sure to mention how I know the series is good. Since this will be focusing on new readers, I won’t be recommending the thicker reads like Black Panther, the stories that don’t hold your hand at all like Batman, or series with over a certain number of issues even though I enjoy them. I was going to just make one list, but it was huge, so I’m separating these by publisher. Anyway, here we go. This list is arranged in descending order (most recommended to least), and series I don’t read myself will always be at the bottom.

1

Wonder Woman
Currently on issue 6 + one special issue (Rebirth one-shot)

Greg Rucka’s Wonder Woman is the comic that will make you like Wonder Woman. The story isn’t that important: Diana is trying to find Themyscira after finding out that her New 52 origin is a lie. What’s great about the series is that its characterisation of Diana as a compassionate, patient and loving person who’s still willing to fight when things call for it. The plot is interesting though; it introduces a decent villain, a cool subplot featuring Steve Trevor that ties into Diana’s quest, and makes great use of Cheetah. And all that is finished off with some great mythic elements that always elevate any Wonder Woman story.

At least that’s the plot of the odd numbered issues. The even numbered issues tell the “Year One” story, which is basically what Diana’s probably going to learn herself. It’s essentially a modernised version of her Post-Crisis origin, wherein pilot Steve Trevor crashes on Themyscira, and Diana escorts him back to “Man’s World”. However, since there are foregone conclusions, Rucka doesn’t waste time detailing them, instead focusing on smaller emotional scenes that didn’t get much focus the first time around, before focusing on his own story. It ties in neatly with the odd numbered issues as well.

The art for both stories is phenomenal. Liam Sharpe’s thicker lines and strong eye-work given Diana a real sense of strength. Nicola Scott’s Wonder Woman looks younger and much more naive, with a dorky innocent smile across her face. Both artists nail backgrounds, posing and expression, and are honestly just great. And Rucka knows when to cut back and let the art tell the story, or just add layers to a scene.

If you want to get into Wonder Woman, now is the time. I cannot recommend the current Wonder Woman run enough. It’s easy to get into but still has depth.

Note: The Rebirth special is pretty irrelevant and kind of just outright not good. It’s just an issue long statement that Diana’s confused about her origins. You can safely skip it. Continue reading “Ongoings for the New Comic Reader – DC Comics (2016, Q3)”