As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.
For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.
Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!
(That I read).
Continue reading “The Best Comic Book Runs of the 2010s”
As I’ve made clear in previous posts, the 2010s were a good time for comics. I’ve looked at the best comic runs, but now I’m taking it a step down and going into the best comic arcs. These aren’t entire series — unless it’s a miniseries or an ongoing that was cut short — or runs, but arcs. Naming these is a bit weird because some writers don’t really name their arcs, but luckily trades exist, and you can usually tell when something is an arc.
To qualify, the first issue of the arc needs to have been released in the 2010s. That limits my options enough while setting strict rules. Hopefully this makes it fair. Also, this is more of a superhero comic thing, so be warned if that bugs you.
Anyway, get your six (most likely) bag and boards ready, because we’re going to be looking at the best comic book story arcs of the 2010s!
Continue reading “The Best Comic Book Story Arcs of the 2010s”
Written by: Mark Waid
Art by: Humberto Ramos
Colours by: Edgar Delgado
Champions has a lot of things going for it: its characters are among the more popular teen superheroes, it boasts Mark Waid as writer and it features the adventures of a new team, albeit one using an old name. But what makes Champions great isn’t any of that, but how it approaches adolescence. Not since New X-Men – Academy X and Young Avengers have I seen such good writing of teenagers, and if you know me, you know that’s high praise indeed. Continue reading “Champions (2016) #2 Review”
Written by: Mark Waid
Pencils by: Mike del Mundo
Colours by: Mike del Mundo, Marco D’alfonso
Here it is, the comic people have been waiting for. While Mark Waid’s All-New, All-Different Avengers (ANAD Avengers) started off strong, it always felt weighed down by, among other things, its younger characters (Kamala Khan, Miles Morales, Sam Alexander). The idea was admirable, making the Avengers act more like mentors and bringing a youthful perspective to the team, but it never really gelled and they felt like a hindrance. But now those characters have been shipped off to Mark Waid’s Champions, and that’s actually a very good read that focuses on youthful waywardness and hormones. So with the kids out of the way in a well-written series, Mark Waid can finally write a great classic-style Avengers comic too, right? Well, if so, it’s not this issue. Continue reading “Avengers (2016) #1 Review”