Predicting Brian Michael Bendis’ DC Comics

News has broke broke a while ago (yeah, I’ve been procrastinating finishing this post for a while) that Brian Michael Bendis — acclaimed for his runs on Ultimate Spider-Man, Daredevil and Alias, not so acclaimed for his work on Avengers, X-Men and Iron Man — will be writing exclusively for DC Comics, after years of writing for Marvel. This is a big surprise, to say the least, and is something I have… mixed opinions on. But before I list the projects I both think Bendis will be good for and those I think he may get anyway, I’m just going to preface this post with a warning when it comes to Bendis’ writing.

Bendis is a writer who always starts strong, but his lack of long-term planning always rears its head. You have things like the mystery of Ronin’s identity — obviously meant to be Daredevil, Ronin was revealed to be Maya Lopez in the end, because she was just using a muscle suit! And just ignore that she’s deaf and could never have read Iron Man or Spider-Man’s lips! Or how Moon Knight didn’t end up affecting Age of Ultron at all despite that being most of its point! Or how the Skrull reveals in Secret Invasion were extremely (for the most part)! Because of his general lack of follow through, whatever Bendis ends up cannot be judged immediately. Because it will be a good comic at first. They always are. So before we shout that he’s the second coming, let’s give it a year or two. Let’s wait to see if his likely amazing premise is actually delivered on.

Without further adieu, these are the projects I think Bendis will get, and what I want him to get. Continue reading “Predicting Brian Michael Bendis’ DC Comics”

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The Death of the New 52, One Year Later — A Look Back

In 2016, DC’s Rebirth relaunch promised a return to the spirit of the pre-Flashpoint DC Universe while keeping the New 52 universe. Rebirth has proven to be an unmitigated success, both critically and financially, and has clearly reinvigorated the company. But while it promised to keep the New 52 canon, this didn’t turn out to be the case, with series like Wonder Woman and Superman almost entirely doing away with New 52 canon. Although the New 52 branding itself was removed with the DC YOU initiative, DC Rebirth can be considered a much truer shunting of the ideas and themes of the New 52 era. Gone is the unnecessary darkening of characters, government paranoia and notion of continuity and history being obstacles and not tools so prevalent at DC for so long.

While there were some good elements here and there, the overall New 52 reboot fell flat on its face. And with DC Rebirth now a year old, incorporating many elements of Pre-Flashpoint elements that fans have been missing, I think it’s a good time to look back on the New 52. As it’s said, “I come here to bury Caesar, not honour him.” This will be a broad look at the problems with the New 52, and why it never quite worked for (the majority) of readers. So join me as I take a look back on the New 52, one year after its official death. Continue reading “The Death of the New 52, One Year Later — A Look Back”