So far, I’ve looked at the biggest shake-ups in comics status quos in the 2010s. Of course, I think those were important. They’re paradigm shifts that allow for different stories. But sometimes, you need to go smaller, and that’s what this is. This time, I’m going to be highlighting specific moments in comics that I feel were the best in the 2010s.
These can range from a single scene to a single panel, but they’re what I consider the best the 2010s have to offer. They might stand on their own or be the payoff for years of storytelling, but these are the ones that had the biggest impact on me as a reader. As a rule: it can’t be an entire issue. I’m also trying to avoid placing similar scenes on this list. So yes, it’s a loose criterion, but it’s mine. Anyway, let’s see what we have for arbitrarily ranked my personal best comic book moments of the 2010s… Continue reading “The Best Comic Book Moments of the 2010s”
In 2016, DC’s Rebirth relaunch promised a return to the spirit of the pre-Flashpoint DC Universe while keeping the New 52 universe. Rebirth has proven to be an unmitigated success, both critically and financially, and has clearly reinvigorated the company. But while it promised to keep the New 52 canon, this didn’t turn out to be the case, with series like Wonder Woman and Superman almost entirely doing away with New 52 canon. Although the New 52 branding itself was removed with the DC YOU initiative, DC Rebirth can be considered a much truer shunting of the ideas and themes of the New 52 era. Gone is the unnecessary darkening of characters, government paranoia and notion of continuity and history being obstacles and not tools so prevalent at DC for so long.
While there were some good elements here and there, the overall New 52 reboot fell flat on its face. And with DC Rebirth now a year old, incorporating many elements of Pre-Flashpoint elements that fans have been missing, I think it’s a good time to look back on the New 52. As it’s said, “I come here to bury Caesar, not honour him.” This will be a broad look at the problems with the New 52, and why it never quite worked for (the majority) of readers. So join me as I take a look back on the New 52, one year after its official death. Continue reading “The Death of the New 52, One Year Later — A Look Back”
This is a new thing I’m trying where I briefly review (shut up, I totally know how to be brief!) a comic before providing commentary as I recap it. Just wanted to try something new, and where better to start than the start of Steve Orlando’s Justice League of America run?
Oh, and I totally stole this format from a Tumblr I use to read called Eee! Tess Ate Chai Tea, who I thought had stopped posting, but I guess not. Oh, and that awful name should inform you of the high calibre stuff I used to read.
Written by Steve Orlando
Art by Andy MacDonald
Colours by John Rauch
The Atom: Rebirth was something I kind of just picked up out of mild curiosity. I don’t care about any of the Atoms, and I’m not a fan of Steve Orlando. But I decided to give it a go for the sake of testing the waters of Justice League of America, something else I wasn’t sure about, and it’s actually a good read! A nice and heartwarming, self-contained origin story for Ryan Choi’s Atom.
The comic has a nice sci-fi vibe to it, like if you combined the art style and general style of Marvel’s recent Ant-Man ongoing with a bit of Silver Age charm. Ryan’s relationship with Ray Palmer is a sweet student-mentor one, and he’s got something of a supporting cast built up, with his parents, roommate and possibly Jean Loring. While I’m not too keen on one of the few prominent Asian superheroes being an awkward nerd (complete with lots of allergies!), it was nice to see Ryan’s relationship with Ray bring him out of his shell a little. There’s decent potential for future stories, though how this issue sets up what it was supposed to (Justice League of America), remains to be seen. Regardless, The Atom: Rebirth is just a good story and introduction to Ryan Choi, with some stuff set up for the future.
4/5 – Very good
See? I can be succinct! Anyway, click below the line for the commentary! (Also, I stole this thing from Henchman-4-Hire’s Teen Titans reviews) Continue reading “The Atom: Rebirth #1 Review and Recap”
I don’t think it’s out of line to say that Geoff Johns is one of DC’s biggest name creators. He, along with David S. Goyer, brought the Justice Society of America to a new generation of readers. He had a run on The Flash that many consider second only to the beloved Mark Waid run. He reinvigorated and redefined the Green Lantern franchise. He updated Aquaman for modern audiences (though Peter David sort-of did that before him). But he also has blatant preference for the Silver Age. Infinite Crisis was, although an enjoyable story, a way for him to restore quite a few Silver Age things to canon. He made Legion of Super-Heroes lore confusing with the “Retroboot” Legion (basically the original Legion but with a time-skip). He sort-of ruined the Flash franchise with The Flash: Rebirth (it’s only slightly recovered with the return of Wally West). Then killed off beloved new characters with Blackest Night, an event that seemed to exist partly to kill off modern characters. Then he screwed up the entire DC Universe with Flashpoint… though that was editorially mandated, and he then proceeded to sort-of fix with DC Universe: Rebirth #1. So Johns has a shaky history, despite being DC’s “big gun”.
But he vanished for a while. After finishing his Justice League run (about half of which I haven’t read), Johns moved on. He was focusing more on TV shows and movies. It seemed like he came back just to fix what he was forced to break, and that would be the last we’d hear from him… or not.
Yes, Geoff Johns is returning to comics, and while I’m cautiously optimistic about this, given the mixed results of his writing, I can’t say I’m not at least somewhat looking forward to Johns’ return. For all his faults (Silver Age boner, excessive violence, unsubtle leaning on the fourth wall), Johns loves superhero comics, big scope stories and using continuity in (mostly) respectful ways. He’s the kind of writer the DC Rebirth initiative is perfect for. And while I’m sure his comics work will in some way involve the Watchmen plotline from the Rebirth line, I have little doubt he will also be taking on another project. And here are what I hope or predict they will be. Continue reading “My Future Comic Projects for Geoff Johns (Rantings)”
Everyone loves reading top 5/10 lists, right? Well, it’s a guilty pleasure, but it’s also nice to get others’ opinions and have your own validated. And since I already do annual video game lists, I figured it’d only be right to do one for comics as well. Also, this may be because I feel bad about not praising Grayson #12 enough last year, even though it was an absolutely amazing issue and I’ve praised it to anyone who would listen. But yeah, that’s what this is going to be: ranking the top 10 series of the year, with particular focus on a specific issue if it’s a standout (the covers don’t mean that particular issue was good; I just like certain covers or don’t want to reuse covers I’ve used before). My general rule is that the series has to have released at least one issue this year. Anyway, these are my top 10 arbitrarily ranked comic books of 2016.
Oh, and just assume all these series have amazing art unless I say otherwise.
Warning: Mild Spoilers.
Continue reading “Top 10 Comics of 2016”