Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.
I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”
Gateway Comics is a recommendation thing I do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It features franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. The key point is that these are recommendations for new readers.
There is no superhero more iconic than Superman. The flagship character of not only DC Comics, but of an entire genre, Superman is a storied character that is almost as old as the superhero genre itself. But with so many stories behind him, that can make him a bit intimidating to read. Especially with the various reboots the character has undergone. But I think Superman, when written well, can be one of the most rewarding characters to read. I personally have mostly stuck to more modern works for Superman, but I think these works to a good job balancing what I like about the franchise. I’m not too big a fan of the franchise, but these comics got me interested in it; I can safely say that they’re good for new readers.
Anyway, the people of Krypton has been written badly very often, but here are some stories that I think will do a good job of introducing new readers to the world of Superman. Continue reading “Gateway Comics — Superman”
Last year was a good year for comics. DC’s Rebirth relaunch settled in, allowing creators to tell some truly amazing stories with strong reimaginings of the company’s characters. The Young Animal imprint mostly stayed strong throughout, really coming into its own. Marvel took a page from DC’s book and is trying to recapture what it thinks fans miss from their universe (something I have mixed opinions on, but here’s not the place for that). And during all this you have some excellent series not from the Big Two either maintaining their excellence or just coming out of nowhere and surprising everyone. 2017 was a good year for comics.
I’ve been away from blogging for a long time, but that little sidebar ranking current ongoing series I’m reading? That is completely up to date. I’ve just fallen really behind on monthly ongoing comics, which made me question whether or not I should do this list. However, I think that this list has been determined for a while now. Nothing that I haven’t read will likely really make a difference to this list. To qualify for this list, the series had to have had at least one issue released in 2016, and one in 2017. Anyway, let’s get on with it. These are the best continuing series of 2017.
Warning: mild spoilers.
Note: Please forgive the weird formatting on some entries when it comes to art. Comixology is bad about this and is where I get my information. Continue reading “Best Continuing Comic Series of 2017”
has broke broke a while ago (yeah, I’ve been procrastinating finishing this post for a while) that Brian Michael Bendis — acclaimed for his runs on Ultimate Spider-Man, Daredevil and Alias, not so acclaimed for his work on Avengers, X-Men and Iron Man — will be writing exclusively for DC Comics, after years of writing for Marvel. This is a big surprise, to say the least, and is something I have… mixed opinions on. But before I list the projects I both think Bendis will be good for and those I think he may get anyway, I’m just going to preface this post with a warning when it comes to Bendis’ writing.
Bendis is a writer who always starts strong, but his lack of long-term planning always rears its head. You have things like the mystery of Ronin’s identity: obviously meant to be Daredevil, Ronin was revealed to be Maya Lopez in the end, because she was just using a muscle suit! And just ignore that she’s deaf and could never have read Iron Man or Spider-Man’s lips! Or how Moon Knight didn’t end up affecting Age of Ultron at all despite that being most of its point! Or how the Skrull reveals in Secret Invasion were extremely (for the most part) disappointing! Because of his general lack of follow through, whatever Bendis ends up cannot be judged immediately. Because it will be a good comic at first. They always are. So before we shout that he’s the second coming, let’s give it a year or two. Let’s wait to see if his likely amazing premise is actually delivered on.
Without further adieu, these are the projects I think Bendis will get, and my opinions on his possible work on them. Continue reading “Predicting Brian Michael Bendis’ DC Comics”
In 2016, DC’s Rebirth relaunch promised a return to the spirit of the pre-Flashpoint DC Universe while keeping the New 52 universe. Rebirth has proven to be an unmitigated success, both critically and financially, and has clearly reinvigorated the company. But while it promised to keep the New 52 canon, this didn’t turn out to be the case, with series like Wonder Woman and Superman almost entirely doing away with New 52 canon. Although the New 52 branding itself was removed with the DC YOU initiative, DC Rebirth can be considered a much truer shunting of the ideas and themes of the New 52 era. Gone is the unnecessary darkening of characters, government paranoia and notion of continuity and history being obstacles and not tools so prevalent at DC for so long.
While there were some good elements here and there, the overall New 52 reboot fell flat on its face. And with DC Rebirth now a year old, incorporating many elements of Pre-Flashpoint elements that fans have been missing, I think it’s a good time to look back on the New 52. As it’s said, “I come here to bury Caesar, not honour him.” This will be a broad look at the problems with the New 52, and why it never quite worked for (the majority) of readers. So join me as I take a look back on the New 52, one year after its official death. Continue reading “The Death of the New 52, One Year Later — A Look Back”
Ongoings for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).
DC’s output has finally levelled out a bit, with the Rebirth titles being frequent enough that I can now determine quality more accurately, so quite a few things have dropped off this list. At the same time, both the Young Animal imprint and the rebooted Wildstorm universe have been establishing themselves, and have been mostly excellent, so they easily fill in for the series that I wouldn’t recommend. Join me after the break for my comic recommendations for new readers based on Q1 of 2017.
Written by Margurite Bennett and James Tynion IV
Art by Steve Epting
Colours by Jeromy Cox
Published by DC Comics
Cover price: $2.99 USD
I don’t think its wrong to say that Batwoman has stumbled a bit over the last few years. Her solo stories in Detective Comics and Batwoman started strong, but then J. H. Williams III wasn’t allowed to marry Kate and Maggie Sawyer and rage quit the series, and DC rushed to find a replacement lest they take their time and screw up their precious numbering, and the result was Marc Andreyko’s thoroughly disliked run. After petering out, Batwoman would be banished to comic book limbo, only making occasional guest appearances in larger Bat-stories like the two Eternal series, and even then she barely did anything. But then she got tied closer to the Bat-family in James Tynion IV’s mostly good Detective Comics run, and they decided to launch another Batwoman ongoing under up-and-coming writer Marguerite Bennett (Animosity, Bombshells). Since a lot of people probably aren’t familiar with Batwoman’s history — since she was barely affected by the 2011 reboot — this Rebirth one-shot could have been used to catch new readers up on her backstory, while also setting up new stories. It only does the latter well. Continue reading “Batwoman: Rebirth #1 Review”