The Best Comic Book Runs of the 2010s

As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.

For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.

Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!

(That I read).

Continue reading “The Best Comic Book Runs of the 2010s”

The Best Comic Book Moments of the 2010s

So far, I’ve looked at the biggest shake-ups in comics status quos in the 2010s. Of course, I think those were important. They’re paradigm shifts that allow for different stories. But sometimes, you need to go smaller, and that’s what this is. This time, I’m going to be highlighting specific moments in comics that I feel were the best in the 2010s.

These can range from a single scene to a single panel, but they’re what I consider the best the 2010s have to offer. They might stand on their own or be the payoff for years of storytelling, but these are the ones that had the biggest impact on me as a reader. As a rule: it can’t be an entire issue. I’m also trying to avoid placing similar scenes on this list. So yes, it’s a loose criterion, but it’s mine. Anyway, let’s see what we have for arbitrarily ranked my personal best comic book moments of the 2010s… Continue reading “The Best Comic Book Moments of the 2010s”

The Best Comic Book Shake-Ups of the 2010s

Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.

I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”

Ongoings for the New Comic Reader – Marvel (2017, Q1)

Ongoings for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).

So as a whole, I have to say I’ve been pretty disappointed in Marvel’s output this year. There are some good ongoings, but they’re few and far between, as everything seemed to be caught up in the abysmal Civil War II–or rather, dragged kicking and screaming, since every tie-in seems to have at least one rant on how the event is dumb. But there are some gems, and if you’ve seen my “Top Ten Comics of 2016” list, you probably know some of what’s going to be here. Anyway, join my after the break for my comic recommendations for new readers based on Q1 of 2017. Continue reading “Ongoings for the New Comic Reader – Marvel (2017, Q1)”

Top 10 Comics of 2016

Everyone loves reading top 5/10 lists, right? Well, it’s a guilty pleasure, but it’s also nice to get others’ opinions and have your own validated. And since I already do annual video game lists, I figured it’d only be right to do one for comics as well. Also, this may be because I feel bad about not praising Grayson #12 enough last year, even though it was an absolutely amazing issue and I’ve praised it to anyone who would listen. But yeah, that’s what this is going to be: ranking the top 10 series of the year, with particular focus on a specific issue if it’s a standout (the covers don’t mean that particular issue was good; I just like certain covers or don’t want to reuse covers I’ve used before). My general rule is that the series has to have released at least one issue this year. Anyway, these are my top 10 arbitrarily ranked comic books of 2016.

Oh, and just assume all these series have amazing art unless I say otherwise.

Warning: Mild Spoilers.

Continue reading “Top 10 Comics of 2016”

Ongoings for the New Comic Reader – Marvel (2016, Q3)

This is going to be a lot more difficult, what with Marvel’s second Marvel NOW relaunch imminent. But for completion’s sake (I’m doing Q3 for the other companies), and because there’s still some recommendations to make, I’m still doing it. Also, I reconsidered by criteria, and I don’t think high issue count is a problem so long as the series catches you up well, which Marvel series do with a good recap page (DC really needs to do this). So here we go.

1

Silver Surfer
Written by Dan Slott
Currently on issue 6

Dan Slott’s Silver Surfer is the comic that made me like the Silver Surfer (Norrin Radd). So much that I went diving into the back issue bins and bought a ton of his first big ongoing, written by Steve Englehart. Slott’s run is about Norrin Radd’s adventures with human companion Dawn Greenwood, a girl who never really left her home town. At least that’s what the previous series, also by Slott, was about. The current ongoing is about Surfer and Dawn returning to Earth after their exploits, and the hijinks that ensue.

But Silver Surfer’s plots, aside from being Silver Age-level craziness, mainly serve as a way to explore the relationship between Norrin and Dawn. Because he doesn’t understand many human customs — don’t worry, Slott’s the one writer I’ve seen who can pull this off consistently without it getting annoying — and she’s experiencing the wackier side of the Marvel universe. Their relationship is adorable, and you do get attached to Dawn as a character, rather than just an audience surrogate. But at the same time, these stories feel epic, and the Surfer’s way of speaking definitely adds to that. The stories are big and epic, but never lose heart because of Slott’s focus on Norrin and Dawn.

Another reason the dialogue works is the art style. The series is drawn by one of my favourite artists, Mike Allred. His art style can best be described as pop art, and is essentially a more modernised version of the style you’d see in Silver Age comics from artists like Jack Kirby. Thick line work gives everything a classic look, and this suits the Surfer’s cheesier dialogue. Laura Allred’s colours make the style even more distinct, and the result is a series that looks fittingly retro yet modern.

If you’re looking for heartwarming yet epic stories that feel like am homage to a more innocent time, all focused on two incredibly endearing characters, and would like to see one of the best artists today in his comfort zone, pick up Silver Surfer. Continue reading “Ongoings for the New Comic Reader – Marvel (2016, Q3)”