ResurrXion, Part 3 — Something Original and Interesting and Something That Is Neither (Rantings)

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Magneto should never have that much stubble or be that pretty, Sinister looks like a pretty boy Disney villain and Juggernaut looks unfinished… Mystique and Apocalypse look cool though

Iceman

Written by Sina Grace
Art by Alessandro Vitti

For those who don’t know, Iceman sort of came out as gay within the pages of All-New X-Men (volume 1). There was controversy regarding the way writer Brian Michael Bendis went about this, but it’s something that seems to be sticking with the character. Once the teen, time-displaced Iceman tells his adult counterpart that he’s gay, the adult Iceman acts relieved in what’s actually a touching scene. Sina Grace promises to delve into Iceman’s past relationships with women, which I think will be interesting (and hopefully it’s not another excuse to make Polaris crazy). Little else is known about the series, so I’m going to believe it’s a more character-driven one, especially given the statement about exploring Iceman’s past relationships.

I’m not familiar with the creative team, but I do like that a gay man is writing it. Having personal experiences comparable to that of the characters allow you to relate your experiences and always helps with authenticity, but I just hope Sina Grace doesn’t get typecast as “the gay writer” like Christopher Priest did with Black characters. I’m not familiar with Grace’s work as a writer, but I did enjoy his art on Li’l Depressed Boy (though writer Steven S. Struble’s colouring probably played a big part in that). I’m not very familiar with Alessandro Vitti’s work at all, but he did draw Charles Soule’s run on Red Lanterns, and his work there was appropriately messy, but in a controlled way. I’m not sure if that’s just his style or if he went for that look intentionally.

Iceman has a creator I like and has the potential to be a better exploration of homosexuality than many other comics, but I just do not care about Iceman, and the way he was “revealed” to be gay irks me. I’d actually be much more interested in this comic if it were a newer character, or an older one whose homosexuality had a less… controversial history. Someone like Rictor would suit a project like this (in fact, Peter David actually did tackle Rictor’s relationship with a woman after she found out he was gay), basically any gay character who dated a decent amount of people of the opposite sex before coming out as gay. But if you’re looking for a good exploration of a gay character, and don’t mind the way that Iceman was “outed”, and/or are interested in Iceman, this sounds like it will be a decent read.

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What is even this cast?!

Generation X

Written by Christina Strain
Art by Amilcar Pinna

I repeat: what is even this cast? No, really, we have Jubilee, Bling (who I think is gay and might have a crush on Jubilee), um… the guy who checked out Magik’s ass but then was revealed to be gay (in case you didn’t know, Bendis makes things up as he goes)… he makes himself look like other people or something. Quentin Quire (why does he keep getting use?!), um… Disney Princess Girl, and I think Northstar. Oh, and Eye-Boy. I did not make up that last one.

It’s apparently going to explore the cast as a bunch of misfit outsiders within the new X-School, which is now in New York, to further connect the X-Men with the wider Marvel universe. I honestly don’t care. New X-Men: Academy X was the best version of “Hogwarts for mutants”, and it didn’t use the tired trope of the losers vs. jocks. And you just know some characters are going to be written out of character to justify this misfit band getting together.

The characters are all D-listers except Jubilee, who’s a C-lister Marvel doesn’t know what to do with. She’s a vampire now (don’t ask, it was dumb) and also a single mum because she literally stole a baby and just kept it. She also really liked dumping the baby on other characters, and was honestly just an awful parent. And yet, the future version of the kid comes back at one point and says she was a great mother! As an Education student, Jubilee’s treatment of Shogo just annoys me. Quentin Quire is an edgelord mutant teen who likes to act edgy and kicked off the horrible Schism event. He’s awful and never develops but is shilled by Jason Aaron, and I don’t get why he still gets use. The rest are boring and/or pointless which was probably intentional to fit in with this misfit idea, but that still means they’re boring and/or pointless.

I’ve read nothing by Christina Strain, but she apparently is a cover artist and did some of the Runaways covers. I’m not sure if she’s done any interior art, but I sincerely hope so, since that would at least be some storytelling experience with comics. Amilcar Pinna is also relatively obscure, but drew the first arc of the short-lived All-New Ultimates. The art was… okay. It was pretty but didn’t work for actual storytelling, everything looking a bit too stilted and too posed. Male faces resembled Steve Dillon’s to a degree, and that is not a positive in my books. There was also the problem of conveying motion… in that it was nonexistent. So the creative team seems to be inexperienced, to say the least.

I don’t get why Generation X exists. It’s got a boring cast, a boring premise and seems to exist so there’s a young mutant book on the stands. Why is it even called Generation X? The original was a bad pun, so aside from some slight brand recognition, why use that name? Aside from it maybe fitting with the whole “misfit” idea, I mean? Whatever, this series looks pointless.

(note: this was NOT published on the 6th of December like it seems to think it was. It was published on the 12th of December.)

ResurrXion, Part 2 — Blue and Gold, the Colours of Mediocrity (Rantings)

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Can someone please tell Rachel Grey that she’s not Mon-El?

X-Men: Gold
Written by Marc Guggenheim (yes, really)
Art by Ardian Syaf

One of the two main X-ongoings, it features the team introduced by Chris Claremont, with Rachel Grey/Summers and Kitty Pryde along for good measure. They do… stuff. Honestly, it’s vague, but they’ll be more entrenched in general Marvel goings ons, which honestly hassn’t worked out well for the X-Men in the past (e.g, the mediocre second X-Men series, their more recent stuff in Marvel NOW!, such as Uncanny Avengers)

The lineup obviously is invoking the second generation of X-Men, though obviously changed a bit. Old Man Logan is confirmed to be sticking around, and he’s pretty hard to write out of character. Nightcrawler and Colossus are sticking around to be fun and boring, respectively, but they’re always good in supporting roles, especially when Logan is around. Storm’s sticking around, so her fans will be happy, though the leadership position apparently goes to Kitty Pryde. I’ve never been a huge fan of Kitty, but it’s at least nice that she’ll be back with the X-books. Apparently, her returning and finding the X-Men in such a different state will not be ignored, but given how much Guggenheim seems to be the typical Kitty fanboy (she’s his self-insert, he started reading as a teenager and she was just introduced, etc), I doubt she’ll be called on abandoning her species. Rachel Grey/Summers is here, in a bad Mon-El cosplay apparently, and the linked interview makes it seem like Guggenheim really doesn’t know what to do with her, like she’s just there because she needs to be there. The cast is mostly fine, but time will tell if Guggenheim writes them well. Which segues nicely into my thoughts on the creative team!

Just… no on this creative team. Ardian Syaf is hit-or-miss, and a lot of his stuff ends up looking rushed. He’s okay when he’s a hit, but nothing special. But Marc Guggenheim? Let me make this clear: I don’t watch Arrow. I read the Arrow subreddit, but I don’t watch the show. But I know that he basically tanked the show. However, I’m going to throw on my hipster hat and say this: I hated Marc Guggenheim before it was cool! He wrote what is probably the worst New Mutants-esque book ever — Young X-Men, which just alienated every reader of Marvel’s younger mutants while also introducing the shitpile that is Ink, a mutant who gained powers relating to whatever tattoos he had, up to and including the powers of the Phoenix. Not only that, but he also wrote the crapfest that was Bart Allen’s run as the Flash. He also ruined the Justice Society after Geoff Johns left, though people were ruining them a bit before him anyway. So yeah, I’ve got a pretty negative opinion on Guggenheim’s writing, and there’s no big name, strong artist to help him.

While the cast would normally get me kind of excited for X-Men: Gold, having Marc Guggenheim as writer just kills it. I’m sorry, but I expect this to be a mediocre at best series, with probably tons of focus on Kitty Pryde. Not interested.

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Have you ever had those guests that just refused to go home?

X-Men: Blue
Written by Cullen Bunn
Art by Jorge Molina

And here’s the other main X-ongoing, X-Men: Blue! And… the time-displaced, original five (O5) X-Men are sticking around. Of course. It will feature the O5 working with Magneto of all people, and getting into “classic”-style stories.

The cast is not good. I’m sorry, but next to nobody cares about the O5 anymore. Let them go home. They’re pointless. Bendis may have had something planned for them, but he jumped ship, and now they’re just a relic of a story that never had any payoff. They’re boring, and pale reflections of their adult counterparts. And Bunn’s interpretation of the characters is just… off. He says many people feel Jean should’ve been the X-Men’s leader for a while, which is just untrue. And given how she either acts purely on her own emotions (All-New X-Men) or is just… a character that exists to exist (Extraordinary X-Men), I have trouble seeing her as a leader at all. Maybe I could swallow the original Jean leading the X-Men in Cyclops, Wolverine, Storm and Xavier’s absence, maybe, but this Jean? I’m sorry, but no. The rest apparently don’t want to go home, because they’ve built lives for themselves, such as Cyke joining the Champions (actually a good read, by the way), Iceman getting a boyfriend, Beast dabbling in magic (why?), and Angel embracing a more warrior-type attitude. It’s just… it feels like Bunn just randomly decided to give the characters new traits because he needed an excuse to keep them around. Except it sounds like this might actually be the series that ends with them going home, which I sincerely hope it is. Bunn’s writing of Magneto is always good, but teaming him up with the O5 is just a weird creative decision.

The creative team is okay, I guess. Cullen Bunn is a writer who I think gets way more work than he deserves, but hey, he gets stuff out on time so why should DC or Marvel care, right? But what I’ve read of his Magneto run is solid, if nothing special, and his Uncanny X-Men run approaches the Terrigen Mists plot in a more interesting manner than any other X-book. However, he’s said that X-Men: Blue won’t be dark like his other works, and honestly, I think that’s his biggest, and possibly only, strength; he can tell dark stories that use other, better writers’ works as a foundation. Jorge Molina is an okay artist, with a style that seems to be a more painted version of David Marquez. At the very least, I kinda dig the design of the X-Men boots. Yep, that’s the only thing I can really say about the art — I dig the boots.

I would love if this series and X-Men: Gold switched creative teams. Bunn is a better writer than Guggenheim, and I’d sooner dump these unwanted, boring characters onto the latter. If this series had a more interesting cast, I’d actually be interested. But instead, we basically get All-New X-Men volume 3, and I stopped caring halfway through volume 1.

ResurrXion, Part 1 — The Old Weirdly Mixed with the New (Rantings)

Over the course of the last week, Marvel revealed the creative teams and rosters behind its “ResurrXion” relaunch. And yes, it is seriously called that. For those not in the know, it’s essentially a big, line-wide relaunch of both the X-Men and Inhuman comics, and is said to be a result of the ending of the currently ongoing Inhumans vs X-Men event, which is basically the final payoff to the incredibly unsubtle allegory that is the Inhumans’ Terrigen Mists (the catalyst for Inhumans getting their powers) killing off mutants. Get it? Because people know Marvel is essentially turning the Inhumans into discount mutants? It’s so clever, right? Yeah, no it isn’t, and even fans of the new Inhumans aren’t fond of the particular story thread (it doesn’t help that their characters come off as passive idiots). So anyway, yeah, this is gonna be the big relaunch for both franchises, and so far the titles look… incredibly weak. In fact, the X-line looks weaker than it currently does, where at least Old Man Logan and All-New Wolverine are enjoyable. Here are my thoughts on the announced titles and creative teams so far, split into two series at a time because this post got way too big.

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Oh look, Marvel remembers the reason people care about this franchise!

Royals
Written by Al Ewing
Art by Jonboy Meyers

This series will focus on the Inhuman Royal Family (Black Bolt, Medusa, Crystal and Gorgon), NuHumans Flint and Swain, and Marvel Boy (a Kree super soldier from an alternate universe). They’ll leave Earth to find out about the origin of Terrigen (which they probably should’ve gotten around to once they realised it kills mutants), and probably get into some other hijinks.

This comic is probably the one that makes the most sense. While I was fond of one or two of the “NuHumans” (people who lived ordinary lives until the Terrigen cloud awakened their dormant Inhuman gene), the Inhumans have always been best when embracing their main characters’ morally ambiguity, political intrigue, sci-fi trappings and much weirder lore. Things like the Inhumans taking place in intergalactic wars, or the seemingly eternal feud between Black Bolt and Maximus the Mad. Royals looks to return the Inhumans to their space faring, and also looks to further explore their place in Marvel’s Cosmic side. The actual intrigue concerning the Terrigen Mists, however, is problematic. See, within Jonathan Hickmans ‘’excellent’’ run on ‘’Fantastic Four’’, it was revealed that there are numerous “Inhumans”, all of whom use a different catalyst for their transformations. It’;s just a random element. I can see Al Ewing ignoring this, which is sad, since I thought the Universal Inhumans were a cool idea that didn’t need this complication (though the fact that this mutant-Terrigen thing is a blatant retcon doesn’t help).

The cast is okay for the most part. I don’t think Medusa is nearly as interesting as Marvel wants her to be, but Black Bolt is always a treat. Crystal is fun when writers embrace her status as Medusa’s wayward sister, and I’m interested if her relationship with Ronan will be brought up (they were married and were forced to separate by Black Bolt’s treaty with the Kree). Gordon is just the typical nasty drill sergeant for Inhumans, and the attempt to give him depth via him being paraplegic fell flat for me. Swain and Flint are boring and easily the least interesting of the NuHumans, and I don’t know why Ewing felt the need to include them. Marvel Boy… exists. All I know about him is that he was a clueless idiot in Dark Avengers, a pointless guest star in Wolverine, a hipster in Young Avengers (like everyone Kieron Gillen writes these days) and… yep, that’s it.

I have mixed feelings about the creative team. I just haven’t ever liked anything by Al Ewing. His stories are sorta interesting sometimes, but he really overwrites his dialogue, drags out his stories, and likes to use really boring characters. I found his Mighty Avengers stuff to be boring at best, and his Ultimates basically ruined Galactus and reads like he’s trying really hard to be Jonathan Hickman and failing. Jonboy Meyers is an artist I have limited exposure to, but I enjoy his work on the current Teen Titans series, but the man cannot draw the tips of feet to save his life. His work is always energetic and fun, with a very cartoony feel, which I’m not sure will work for the seriousness of the Royal Family.

I’ve got mixed feeling about the series, but I can at least see why it’s a good idea for it to be published, given people have been clamouring for more old school Inhuman stories, and it will tie-in to Marvel’s Inhuman TV show. While I’m not sure about the creative team and a particular plot thread, I can see Royals being an okay read for Inhuman fans.

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Now this comic, I just don’t get. “Brand Recognition: The Comic”?

Secret Warriors
Written by Matthew Rosenberg
Art by Javier Garron 

This comic will feature Daisy Johnson, Kamala Khan, Karnak, Moon Girl and Inferno fighting some clandestine threat while the Royal Family is off in space.

I just don’t get this. It has little to nothing to do with the original Secret Warriors by Jonathan Hickman (I just realised how his stuff is being dragged through the mud these days), and fans of that series mostly do not like the MCU-ified Daisy Johnson (I, personally, just call her Skye). It just seems to exist for the sake of keeping that name alive after Agents of Shield used it.

The roster is the most random assortment of heroes I’ve ever seen. Daisy Johnson, assuming she’s still written as she was before AoS, is a grim and gritty super spy who’s seen some stuff and is basically a grizzled veteran without the age. Ms. Marvel is a more traditional superhero who really believes in the Superman-esque ideals (community, traditional heroics, etc.). Karnak is an interesting character, and his ability to “see the flaw in all things” has been explored in interesting ways, but he’s just a weird character more suited to artsy solo ongoings by more experimental writers. Heck, Al Ewing could probably do a good job writing him, and he is a member of the Royal Family, one who still has an ongoing (that’s late), so I have no clue why he’s here. I didn’t read Moon Girl and Devil Dinosaur past the first issue, but it seems to be a fun, pretty mnuch not superhero adventure. And Inferno is… a guy. He’s a more modern superhero character who’s had this power thrust upon him but has a family to protect (his sister and her baby, who has already been exposed to Terrigen). It’s just a group that doesn’t have a consistent tone between them. Plus, it breaks the rule that Marvel currently has that a character can only be on one team at a time, since Ms. Marvel is in Champions… in fact, the team was her idea. Rosenberg has promised some additions that aren’t Inhumans, but I’m not even sure this series will last long enough to get new members.

I know next to nothing about this creative team. I enjoyed Matthew Rosenberg’s Kingpin miniseries (what I read of it), but this series seems far removed from what that one was. I’m not at all familiar with Javier Garron’s work (he apparently did some Star-Lord work). As an aside, whoever did that cover is a dummy; why is Skye wearing wedges? Characters who fly and the like, I get them wearing heels and wedges, but why the spy? And is that shit regulation SHIELD? Just… why?

So yeah, I really don’t care about Secret Warriors; the criteria for the cast seems to be “popular Inhumans”. There’s just nothing here for me, and it seems to be a case of using popular brands for the sake of it.