I wasn’t going to do this. I like to celebrate the good in comics, not lampoon the bad. Comic readers already have an image of being overly negative and I don’t want to be that guy. But… some of the comics this year truly did it for me. They managed to take my goodwill and optimism and grind it into the dirt. Yes, some of these series may recover, or may even have already. But that doesn’t take away from how terrible these particular comics are. With that in mind, here are the worst comics of 2018. Continue reading “Worst Comics of 2018”
2018 was an uneven year in terms of comics. A lot of series that were good took a nosedive, while others that were terrible managed to crawl their way to readability and sometimes even quality. But sometimes, there’s an outlier. Sometimes a single issue manages to say more than a series, or manages to elevate itself above the others. This is about those, the issues that stand as the best of the year. Continue reading “Best Comic Issues of 2018”
Last year was a good year for comics. DC’s Rebirth relaunch settled in, allowing creators to tell some truly amazing stories with strong reimaginings of the company’s characters. The Young Animal imprint mostly stayed strong throughout, really coming into its own. Marvel took a page from DC’s book and is trying to recapture what it thinks fans miss from their universe (something I have mixed opinions on, but here’s not the place for that). And during all this you have some excellent series not from the Big Two either maintaining their excellence or just coming out of nowhere and surprising everyone. 2017 was a good year for comics.
I’ve been away from blogging for a long time, but that little sidebar ranking current ongoing series I’m reading? That is completely up to date. I’ve just fallen really behind on monthly ongoing comics, which made me question whether or not I should do this list. However, I think that this list has been determined for a while now. Nothing that I haven’t read will likely really make a difference to this list. To qualify for this list, the series had to have had at least one issue released in 2016, and one in 2017. Anyway, let’s get on with it. These are the best continuing series of 2017.
Warning: mild spoilers.
Note: Please forgive the weird formatting on some entries when it comes to art. Comixology is bad about this and is where I get my information. Continue reading “Best Continuing Comic Series of 2017”
has broke broke a while ago (yeah, I’ve been procrastinating finishing this post for a while) that Brian Michael Bendis — acclaimed for his runs on Ultimate Spider-Man, Daredevil and Alias, not so acclaimed for his work on Avengers, X-Men and Iron Man — will be writing exclusively for DC Comics, after years of writing for Marvel. This is a big surprise, to say the least, and is something I have… mixed opinions on. But before I list the projects I both think Bendis will be good for and those I think he may get anyway, I’m just going to preface this post with a warning when it comes to Bendis’ writing.
Bendis is a writer who always starts strong, but his lack of long-term planning always rears its head. You have things like the mystery of Ronin’s identity: obviously meant to be Daredevil, Ronin was revealed to be Maya Lopez in the end, because she was just using a muscle suit! And just ignore that she’s deaf and could never have read Iron Man or Spider-Man’s lips! Or how Moon Knight didn’t end up affecting Age of Ultron at all despite that being most of its point! Or how the Skrull reveals in Secret Invasion were extremely (for the most part) disappointing! Because of his general lack of follow through, whatever Bendis ends up cannot be judged immediately. Because it will be a good comic at first. They always are. So before we shout that he’s the second coming, let’s give it a year or two. Let’s wait to see if his likely amazing premise is actually delivered on.
Without further adieu, these are the projects I think Bendis will get, and my opinions on his possible work on them. Continue reading “Predicting Brian Michael Bendis’ DC Comics”
Recommendations for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).
DC’s output has finally levelled out a bit, with the Rebirth titles being frequent enough that I can now determine quality more accurately, so quite a few things have dropped off this list. At the same time, both the Young Animal imprint and the rebooted Wildstorm universe have been establishing themselves, and have been mostly excellent, so they easily fill in for the series that I wouldn’t recommend. Join me after the break for my comic recommendations for new readers based on Q1 of 2017.
Written by Margurite Bennett and James Tynion IV
Art by Steve Epting
Colours by Jeromy Cox
Published by DC Comics
Cover price: $2.99 USD
I don’t think its wrong to say that Batwoman has stumbled a bit over the last few years. Her solo stories in Detective Comics and Batwoman started strong, but then J. H. Williams III wasn’t allowed to marry Kate and Maggie Sawyer and rage quit the series, and DC rushed to find a replacement lest they take their time and screw up their precious numbering, and the result was Marc Andreyko’s thoroughly disliked run. After petering out, Batwoman would be banished to comic book limbo, only making occasional guest appearances in larger Bat-stories like the two Eternal series, and even then she barely did anything. But then she got tied closer to the Bat-family in James Tynion IV’s mostly good Detective Comics run, and they decided to launch another Batwoman ongoing under up-and-coming writer Marguerite Bennett (Animosity, Bombshells). Since a lot of people probably aren’t familiar with Batwoman’s history — since she was barely affected by the 2011 reboot — this Rebirth one-shot could have been used to catch new readers up on her backstory, while also setting up new stories. It only does the latter well. Continue reading “Batwoman: Rebirth #1 Review”
Written by Peter J. Tomasi
Art by Jorge Jimenez
Colours by Alejandro Sanchez
Published by DC Comics
Cover price: $2.99 USD
Peter J. Tomasi is a writer who has always excelled at sentiment. From the restless Kyle Rayner and Guy Gardner in Green Lantern Corps to the father-son dynamic in Batman and Robin, to the more recent, and different, father-son dynamic in Superman, it’s clear Tomasi has an affinity for pulling at the heart strings in the superhero genre. Super Sons is Tomasi taking a stab at writing boyhood adventures, and, to nobody’s surprise, he knocks it out of the park. Super Sons #1 is a really fun comic about two boys and their budding friendship doing what boys their age do, only with more capes and fighting and less parental supervision. Continue reading “Super Sons #1 Review”