As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.
For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.
Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!
(That I read).
Continue reading “The Best Comic Book Runs of the 2010s”
As I’ve made clear in previous posts, the 2010s were a good time for comics. I’ve looked at the best comic runs, but now I’m taking it a step down and going into the best comic arcs. These aren’t entire series — unless it’s a miniseries or an ongoing that was cut short — or runs, but arcs. Naming these is a bit weird because some writers don’t really name their arcs, but luckily trades exist, and you can usually tell when something is an arc.
To qualify, the first issue of the arc needs to have been released in the 2010s. That limits my options enough while setting strict rules. Hopefully this makes it fair. Also, this is more of a superhero comic thing, so be warned if that bugs you.
Anyway, get your six (most likely) bag and boards ready, because we’re going to be looking at the best comic book story arcs of the 2010s!
Continue reading “The Best Comic Book Story Arcs of the 2010s”
The 1st of September is Father’s Day in Australia. While I find it weird that we placed it so far away from the rest of the world’s usual date, it is what it is. So, in honour of Father’s Day, I want to take a look at fatherhood in superhero comics.
The idea of characters being “aged” by younger characters around them is a concern of the comics industry. Indeed, a lot has been done to ensure that characters like Spider-Man and Batman remain at a vague age where they can be considered at least somewhat young. Many in the industry have spoken out against allowing characters to grow and age, in fear that this would also age their paternal figures — the most recent example I can recall would be X-Men editor Jordan D. White mentioning that the younger X-Men cannot be allowed to age, as this would make the core group of Cyclops, Wolverine, Rogue and the like older. I think this fundamentally misunderstands superhero comics and their appeal, the stories they can tell and some of the best works in the superhero genre, and how children are vehicles for further development of characters. While comics like Saga and Birthright have excellent portrayals of parenthood, superhero comics lend a greater weight to everyday struggles, to everyday emotions and relationships.
For the purposes of this post, I’ll be looking at specific characters and specific runs on those characters (to a degree). This is just meant to look at the different kinds of fatherhood presented in superhero comics, while focusing on specific works where possible. Anyway, let’s have a look at our superdads. Continue reading “Superdads — Fatherhood in Superhero Comics”
Gateway Comics is a recommendation thing I do where I list works in a franchise that are good for new readers, that hopefully make them want to check out more of the franchise or character. It features franchises/characters that I am personally familiar with, although I will be using others’ opinions at times. The key point is that these are recommendations for new readers.
With Detective Comics #1000 only a few weeks away, I decided work on this ahead of Superman (sorry, Big Blue) for the people who will inevitably buy Detective Comics #1000 but not actually be Batman readers, but who do want to read comics. Along with the X-Men, who I covered here, the Batman franchise helped get me into comics. Unlike many, who came into comics from The Dark Knight, I got into the franchise through a combination of Batman: Arkham Asylum (the video game) and Batman: Under the Red Hood (which came bundled with Arkham Asylum) before watching The Dark Knight. I started with a few titles here and there, got big into Scott Snyder’s Batman run, then jumped around a lot. I have a lot of experience with the franchise, so this is something that I’m comfortable talking about.
Anyway, without further delay, here are the comics I recommend to those who want an introduction to the world of the Bat.
Continue reading “Gateway Comics — Batman”