My Thoughts on Dawn of X Wave 1

With a new year comes a new wave of Dawn of X. The Dawn of X relaunch came about from the status quo set up by Jonathan Hickman in House of X and Powers of X, exploring whatever Hickman didn’t want to in his core X-Men book. I’m still looking at that series over in Hanging with the HiX-Men, but what about the other titles?

I have been reading them, but I was unsure about how I’d tackle them. Whether they’d be part of Hanging with the HiX-Men or even if I would cover certain series. Eventually that snowballed into me just being very, very late with Hanging with the HiX-Men and I decided that briefer looks at all of the series would be for the best.

With the second wave of Dawn of X titles about to begin with Wolverine and the first six issues of the current series having been released, now is a good time to give my thoughts on the first wave. I’ve read all currently released issues of each of these series, six each, which is a more than fair amount of issues to gauge the series’ quality and form a founded opinion. Unlike my regular reviews, this will be much more informal, but I wanted to get these thoughts out quick.

With that in mind, here are my thoughts on Excalibur, Fallen Angels, Marauders, New Mutants and X-Force.

Continue reading “My Thoughts on Dawn of X Wave 1”

Hanging with the HiX-Men, Part 16 — X-Men #4

Hanging with the HiX-Men is a series of reviews of Jonathan Hickman’s X-Men comics, sometimes spotlighting a specific scene or moment, followed by my opinion on any X-news. It’s what happens when a long-time X-Men fan has his love for the franchise reinvigorated by a beloved writer who has written some of his favourite comics. With that in mind… Welcome to the HiX-Men, hope you survive the experience (and graphics).

Continue reading “Hanging with the HiX-Men, Part 16 — X-Men #4”

Hanging with the HiX-Men, Part 15 — X-Men #3

Hanging with the HiX-Men is a series of reviews of Jonathan Hickman’s X-Men comics, sometimes spotlighting a specific scene or moment, followed by my opinion on any X-news. It’s what happens when a long-time X-Men fan has his love for the franchise reinvigorated by a beloved writer who has written some of his favourite comics. With that in mind… Welcome to the HiX-Men, hope you survive the experience (and graphics).

Continue reading “Hanging with the HiX-Men, Part 15 — X-Men #3”

Hanging with the HiX-Men, Part 14 — X-Men #2

Hanging with the HiX-Men is a series of reviews of Jonathan Hickman’s X-Men comics, sometimes spotlighting a specific scene, followed by my opinion on any X-news. It’s what happens when a long-time X-Men fan has his love for the franchise reinvigorated by a beloved writer who has written some of his favourite comics. With that in mind… Welcome to the HiX-Men, hope you survive the experience (and graphics).

Continue reading “Hanging with the HiX-Men, Part 14 — X-Men #2”

The Best Comic Book Runs of the 2010s

As we near the end of the 2010s, for my final look back at the decade in comics, I’m going to be looking at the best comic runs of the 2010s. This decade had some of the best and worst comic series, but I’m here to celebrate the best runs. The 2010s had a lot of good runs that were somewhat unappreciated, that I feel deserve acknowledgement. This is the decade that I got into comics, so I followed a lot of these when they were ongoing. Yet, there is enough distance from most of these runs — most of which are complete — that I feel comfortable judging them as a whole.

For comic runs, the amount of creators and issues varies, but the general idea should be obvious — a bunch of comics where at least one creator has a big presence in the creative process. To qualify for this list, the run needs to have had most of its issues released in the 2010s. That means Grant Morrison’s Batman and Geoff Johns’ Green Lantern, both of which started in the mid-2000s but ended in the 2010s, are out, but Jonathan Hickman’s Fantastic Four, which started in 2009 and ended in the 2010s, is allowed on. Essentially, the runs will have started in the 2010s, with a small handful of exceptions that had very few issues in the previous decade. The key part of it is that this is “runs” as opposed to a series — I’ll be copying a bit of CBR’s rules and say that miniseries do not count as “runs”, unless it’s a group of miniseries in some way; this is for the the best runs on a comic, not sprints. But it can be one ongoing series, something that had multiple series, or just a specific chunk of a series for whatever reason (maybe the creative team lost the artist or something). To keep things manageable, I’ll be focusing on writers and pencillers — not that inkers, colourists and letterers aren’t important, but it’s hard enough to get every artist down for some runs, and I’ll probably miss some, that this is just the compromise I have to make.

Anyway, with all the rules out of the way, let’s get on with it. Here, arbitrarily ranked, are the best comic runs of the 2010s!

(That I read).

Continue reading “The Best Comic Book Runs of the 2010s”

The Best Comic Book Story Arcs of the 2010s

As I’ve made clear in previous posts, the 2010s were a good time for comics. I’ve looked at the best comic runs, but now I’m taking it a step down and going into the best comic arcs. These aren’t entire series — unless it’s a miniseries or an ongoing that was cut short — or runs, but arcs. Naming these is a bit weird because some writers don’t really name their arcs, but luckily trades exist, and you can usually tell when something is an arc.

To qualify, the first issue of the arc needs to have been released in the 2010s. That limits my options enough while setting strict rules. Hopefully this makes it fair. Also, this is more of a superhero comic thing, so be warned if that bugs you.

Anyway, get your six (most likely) bag and boards ready, because we’re going to be looking at the best comic book story arcs of the 2010s!

Continue reading “The Best Comic Book Story Arcs of the 2010s”

The Best Comic Book Shake-Ups of the 2010s

Superhero comics are said to be cyclical, stagnant, unchanging, and all manner of things meant to imply that they love their status quos. But the 2010s gave us a bunch of new ideas and shake-ups that ended up becoming some of the landmark moments for the superhero genre. Sure, the superhero genre loves its status quos, because that’s a part of the brands, but sometimes people shake things up in ways that open the door for great storytelling, adding to the gargantuan mythos of the genre.

I’ve decided I’m going to draw attention to these status quo shifts. This is very broad, obviously, but I think it’s a good way to look back at what the 2010s did to shake things up a bit and innovate. Later, I’ll probably look at best moments, single issues story arcs and maybe even runs. But for now, here are the best comic book shake-ups of the 2010s. Continue reading “The Best Comic Book Shake-Ups of the 2010s”