Written by Steve Orlando and Jodi Houser
Art by Jamal Campbell
Colours by Jamal Campbell
Vixen (Mari McCabe) is, like the Atom, another character I’ve never really cared for. I enjoyed her enough on Justice League Unlimited, but only in small doses and as a way to counteract the boring dry wall that was John Stewart (that version of him, at least). But as a comic book character, I’ve just never gotten her appeal. She’s a fashion designer and model, but career has never interested me outside of one scene with the Wasp in Uncanny Avengers, where she talks about fashion as a way bringing other cultures to people… and Snotgirl, I guess. And her power-set always struck me as “discount Animal Man”. But there’s a Vixen on Legends of Tomorrow and she’s got an animated series set in the Arrowverse, so of course she’s got to be in Steve Orlando’s upcoming Justice League of America. And this introduction to her is.. underwhelming
Vixen: Rebirth is an okay intro to the eponymous heroine, but it just lacks something and has story problems. It just doesn’t have the same emotional weight to it as The Atom: Rebirth, and I think that’s because almost all of the emotional weight to the story (well, Mari’s) is told in flashback, so there’s just a disconnect. In The Atom: Rebirth, Ryan Choi started out as a shy, awkward nerd and he managed to start his hero’s journey largely due to finding a kindred spirit who believed in him in his teacher, Ray Palmer. Here, Mari just… does things. There’s a catalyst, but it’s not very powerful and in fact comes across as forced more than anything. There’s some development for her as a character, but none of it feels satisfying.
At the very least, the art is nice, if not to my tastes. His Vixen is what a supermodel would actually look like: strong facial features with more understated sexual characteristics, especially compared to what is in mainstream superhero comics. It looks suitably exotic, with Campbell’s colouring really selling it. The comic has a nice fantasy aesthetic when outside of the fashion and business world, and Campbell obviously has fun when depicting Vixen’s powers. It suits the character very well, and Campbell’s ability to alternate between said fantasy aesthetic and the glamorous style he employs in the fashion and corporate scenes really helps sell this comic. Even though I’m not a big fan of art like this, I can say with confidence that many others would enjoy it.
2/5 – Below average
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