Recommendations for the New Comic Reader – Indie (2017, Q1)

Recommendations for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).

I actually found it somewhat difficult to find any indie stuff I’d recommend to new readers. Sure, there’s stuff that’s great, but a lot of it requires that you’ve been following the series for a while. Also, a lot of comics are on breaks, though I’m recommending them anyway (this practice is actually part of why I love Image). But beyond that, indie stuff generally needs to be of a higher calibre to grab me, as I’ve got no loyalty to anything but the creators. But there were some surprises here and there, so join me after the break for my indie comic recommendations for new readers for Q1 of 2017.
Continue reading “Recommendations for the New Comic Reader – Indie (2017, Q1)”

Recommendations for the New Comic Reader – DC Comics (2017, Q1)

Recommendations for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).

DC’s output has finally levelled out a bit, with the Rebirth titles being frequent enough that I can now determine quality more accurately, so quite a few things have dropped off this list. At the same time, both the Young Animal imprint and the rebooted Wildstorm universe have been establishing themselves, and have been mostly excellent, so they easily fill in for the series that I wouldn’t recommend. Join me after the break for my comic recommendations for new readers based on Q1 of 2017.

Continue reading “Recommendations for the New Comic Reader – DC Comics (2017, Q1)”

Recommendations for the New Comic Reader – Marvel (2017, Q1)

Recommendations for the New Comic Reader is exactly what it sounds like — the posts where I recommend current ongoing comics to new readers, mostly based on the current or most recent arc. I focus heavily on the series being new reader friendly, so if the latest masterpiece of Grant Morrison’s isn’t here, you know why. I’m mainly concerned with what I myself am reading, but will occasionally recommend something people have told me or I’ve heard is good, if I feel it bits (these recommendations will be clearly labeled).

So as a whole, I have to say I’ve been pretty disappointed in Marvel’s output this year. There are some good ongoings, but they’re few and far between, as everything seemed to be caught up in the abysmal Civil War II–or rather, dragged kicking and screaming, since every tie-in seems to have at least one rant on how the event is dumb. But there are some gems, and if you’ve seen my “Top Ten Comics of 2016” list, you probably know some of what’s going to be here. Anyway, join my after the break for my comic recommendations for new readers based on Q1 of 2017. Continue reading “Recommendations for the New Comic Reader – Marvel (2017, Q1)”

Iron Fist (2017) #1 Review

Written by Ed Brisson
Art by Mike Perkins
Colours by Andy Troy
Published by Marvel
Cover price: $3.99 USD

With the mixed reception to his portrayal in David Walker’s Power Man and Iron Fist and a bigger spotlight due to Netflix’s Iron Fist series, Ed Brisson was probably under a lot of pressure to get Iron Fist right, which isn’t exactly an easy task. The last time the character was really relevant was Ed Brubaker and Matt Fraction’s amazing Immortal Iron Fist run, which had a darker approach to the character while also embracing the martial arts and mysticism elements and building his world in interesting ways. Brisson is seemingly trying to recapture that spirit, and his first issue does a good job setting up something hopefully great, but can’t help but feel a bit generic. Continue reading “Iron Fist (2017) #1 Review”

ResurrXion, Part 6 — Look Who Came Crawling Back!

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It’s been a while since I gave my thoughts on the initial ResurrXion line-up. Well, the ones that were announced right away, at least. I completely missed Black Bolt and Old Man Logan continuing, and it just got to the point that they became old news. If you want my opinions on that real quick, I’ll give them real quick at the end of this post.

I’m not here to focus on those series. For you see, today I get to do what I love most: act like a bitch and be super smug! And why? Well, Charles Soule is returning to the X-Men as the writer of a new Astonishing X-Men series! Yes, the same Charles Soule who wrote the mostly good (for its last issue) Death of Wolverine before jumping ship to the Inhumans and penning the awful Death of X and even-more-awful Inhumans vs. X-Men! And my smugness can be summed up with:

Oh, did you and the Inhumans not work out? I’m so sorry to hear that, Charlie! And no, I wasn’t laughing behind your back! I was full on rooting for you guys! Or, if you want a more direct connection:

I’m drawing all the attention to it, Soule! All! Of! The! Attention! If there’s one thing this blog isn’t, it’s classy!

Okay, I’m done now. I just wanted to be a bitch. In all seriousness, here are my thoughts on Charles Soule’s upcoming Astonishing X-Men series.

11Astonishing X-Men
Written by Charles Soule
Art by TBA

The Astonishing X-Men title is so associated with Joss Whedon that people forget that there were indeed other writers, up to and including Warren Ellis! Charles Soules’ series doesn’t seem to have anything in common with the well-known Whedon run — which partly tried to incorporate the X-Men more into the Marvel universe and have them act as more traditional superheroes (something that it gave up on pretty quickly) — other than just being a good jumping-on point for new fans, something Soules touts, which isn’t exactly unique to Astonishing. The aforementioned idea of the X-Men being more present in the Marvel Universe is being handled elsewhere, so it seems Astonishing X-Men is just called that because it’s something that’s not Uncanny X-Men or just X-Men, which is strange, as Marvel is going to be renumbering all their ongoings with “legacy numbers” later this year.

Anyway, regarding the comic itself, very little is known. In fact, this series’ reveal was actually gradual, weirdly enough. Its roster was revealed bits at a time, then finally its name and writer. I’m not sure why it was built up, but I can’t deny that it’s probably going to be one of the better X-books coming out of ResurrXion. But that’s if I really separate Charles Soule from his recent X-work. Because… oy. But he says the story told will build on itself, and it will have focus in that sense. That’s a good idea, given the sporadic nature of some X-runs, though it has me worried he’ll use his horribly written version of Emma Frost (Charles Soule is to Emma Frost what Jason Aaron was to Cyclops).

But before I get into that, let’s talk about the cast. It’s mostly good! Old Man Logan seems to be succumbing to the old Wolverine curse of being on a lot of different series and teams. I count three so far, and I wouldn’t be surprised if he were put on an Avengers team again. But his character is interesting, and it will be interesting to see him lead a team (if he is the leader, which the cover seems to indicate he is). Archangel is always good for some angst and dark stories, along with a plain cool look. Psylocke is a cool character with an interesting history and relationship with Archangel. While I’ve found her kind of boring outside of Rick Remender’s Uncanny X-Force, she has potential and she throws a wrench into the cast. And that’s because of the presence of Fantomex, a character I’ve always seen as a more self-aware Gambit. He’s a thief who steals to distract from his constant urge to kill. He’s fun, though works best when playing off Psylocke and Archangel and other super serious characters. Oh, and speaking of Gambit, he’s here too. I’ve never been his biggest fan, but he’s fun and can lighten the mood when not angsting about whatever contrived Thieves Guild story he’s taking part in. Rogue is here too, and that makes this series give off a real soap-opera vibe, given the Psylocke/Archangel/Fantomex thing and now Rogue and Gambit. It seems like Rogue has been handled surprisingly well by Gerry Duggan over in Uncanny Avengers, and I always like to see her around. She’s a versatile character who works best when she’s a tough-but-caring Southern Belle using her own experiences to help others. Oh, and Mystique is here, in case we didn’t have enough drama. I like Mystique in the right role, and assuming she’s the token evil member of the team, I can see her having an interesting dynamic with Archangel, encouraging his darker tendencies. Also, I’d like to see how her relationships with Rogue and Logan develop, given her rocky relationship with the former and… complicated relationship with the original Logan . And then there’s Forge who exists and I don’t care about him.

Now, the elephant in the room — Charles Soule… Charles Soule was once a writer I really liked. I enjoyed his Thunderbolts run, and he managed to make the dumb concept that Daniel Way started work. I’ve heard nothing but good things about his Swamp Thing run, which I’m told far surpassed Scott Snyder’s and seemed to create an interesting mythology. His Red Lanterns run was really the only part of that series worth reading, and while I never finished, I really want to. He definitely seemed to understand the characters, especially Guy Gardner, while also keeping true to the idea of the group. I found Inhuman to be a pretty good read with some interesting characters (who became less interesting over time) and concepts. His She-Hulk run has been thoroughly praised, and I’m assuming utilised his law skills well. His Daredevil run has some cool ideas and what I read of it (I omnibus-wait Daredevil (I am not kidding) seemed like he was doing a good job bringing darkness back into Daredevil’s world after Mark Waid’s run. Thought it was rough when I read it, I’ve heard it’s really picked up. Then came his X-Men work…

While I largely enjoyed Death of Wolverine and thought it had a fitting ending, the miniseries itself felt like it had quite a bit of padding while also not quite adequately summing up Logan’s life. But what followed… I have heard nobody speak of Wolverines, Marvel’s attempt at a weekly ongoing to compete with DC’s two Batman Eternal series. I couldn’t read more than two issues of Death of X, where Soule decided to nonsensically kill off Jamie Madrox — who was the closest thing to a lead character in Peter David’s amazing X-Factor run (the second one he did) — and Cyclops, in such a low-key way that I’m sure it was meant to be profound that Cyke went out like he did, but it comes off as disrespectful given the characters rich’s history, importance to the franchise, and large fanbase. Oh, and the ending was awful and filled with plot holes. Then he wrote Inhumans vs. X-Men, which, while concluding the awful Terrigen poisoning plot (which I will be writing something on due to its awfulness), it had an amazing amount of plot holes, only some of which were carried over from Death of X — there were inconsistencies within the series itself! Oh, and Uncanny Inhumans was kind of boring and didn’t seem to get the appeal of the Inhumans. So yeah, Soule started out as an up-and-comer I really liked, but 2016 was not a good year for him, and I basically replaced him with Tom King.

A year ago I’d have been excited for this series, but Soule has really fallen in my eyes. While I had to let out the pettiness early in this post, I really hope this series is his comeback. Because it has a good cast, good planning and a writer who I know can do better than he has recently. I am cautiously optimistic about Astonishing X-Men. Continue reading “ResurrXion, Part 6 — Look Who Came Crawling Back!”

Batwoman: Rebirth #1 Review

Written by Margurite Bennett and James Tynion IV
Art by Steve Epting
Colours by Jeromy Cox
Published by DC Comics
Cover price: $2.99 USD

I don’t think  its wrong to say that Batwoman has stumbled a bit over the last few years. Her solo stories in Detective Comics and Batwoman started strong, but then J. H. Williams III wasn’t allowed to marry Kate and Maggie Sawyer and rage quit the series, and DC rushed to find a replacement lest they take their time and screw up their precious numbering, and the result was Marc Andreyko’s thoroughly disliked run. After petering out, Batwoman would be banished to comic book limbo, only making occasional guest appearances in larger Bat-stories like the two Eternal series, and even then she barely did anything. But then she got tied closer to the Bat-family in James Tynion IV’s mostly good Detective Comics run, and they decided to launch another Batwoman ongoing under up-and-coming writer Marguerite Bennett (AnimosityBombshells). Since a lot of people probably aren’t familiar with Batwoman’s history — since she was barely affected by the 2011 reboot — this Rebirth one-shot could have been used to catch new readers up on her backstory, while also setting up new stories. It only does the latter well. Continue reading “Batwoman: Rebirth #1 Review”

Super Sons #1 Review

Written by Peter J. Tomasi
Art by Jorge Jimenez
Colours by Alejandro Sanchez
Published by DC Comics
Cover price: $2.99 USD

Peter J. Tomasi is a writer who has always excelled at sentiment. From the restless Kyle Rayner and Guy Gardner in Green Lantern Corps to the father-son dynamic in Batman and Robin, to the more recent, and different, father-son dynamic in Superman, it’s clear Tomasi has an affinity for pulling at the heart strings in the superhero genre. Super Sons is Tomasi taking a stab at writing boyhood adventures, and, to nobody’s surprise, he knocks it out of the park. Super Sons #1 is a really fun comic about two boys and their budding friendship doing what boys their age do, only with more capes and fighting and less parental supervision. Continue reading “Super Sons #1 Review”